Little Red, sleeping away

Here is where I was a few days ago with that tree problem:


and here it is today:


I just printed it(non photo blue) onto bristol board, and I'll be inking within the next couple days. Any thoughts before I hit it with the inks?

Basic Inking Process Tutorial

I just posted this tutorial on deviantArt, and now I'm sharing it everywhere else:



STEP ONE:
To start, I draw out small sketches on a page in my sketch book, trying out various ideas. Once I have something I like, I scan it into the computer at a high dpi (600dpi or so), and reprint it at a much larger scale. From there, I can retrace it onto a clean page in my sketchbook and refine the picture, fixing mistakes, and adding details.



STEP TWO:
Now with a better pencil sketch, I scan it into the computer once again, and convert it to a faded cyan (called non-photo blue or non reproductive blue) in Photoshop. To do this, I convert the image mode to Grayscale, then to CMYK. Then I go to Image>Adjust>Channel Mixer. From here, I leave the Cyan Output Channel untouched and move directly to the Magenta Output Channel. I drop the Magenta level from 200% to 0%. Next I move to the Yellow Output Channel, dropping the Yellow level to 0%. Then finally I move to the Black Output Channel, dropping the Black level down to 0%. You should be left with a Cyan image. The next step is to change the layer opacity to 50%, so the Cyan isn’t so intense.From there, I print it onto bristol board. This way, my pencils are left untouched by a possible ink mishap, and my pencil illustration is perfectly replicated onto illustration board without blemishes like heavy erasing or pencil smudges.



STEP THREE:
Here, I begin my inking process. I use Higgins Black Magic Ink, and two Connoisseur brushes http://connoisseurart.com/, one small and one fat. I also use two kinds of Bristol Board. I use Strathmore 300 Series 9”x12” vellum Bristol Board for Illustrations like this, and Canson Fanboy 10”x14.25” Manga Art Boards for manga pages (or Comic Art Boards for comic sized books). I prefer vellum to smooth because it grabs to the pencil pretty well, but its only a personal preference. I also enjoy Canson Fanboy’s Art Boards because they come bluelined with rules for panelling and marking bleed room, safe area, and actual page size.



STEP FOUR:
I decided to scan this at about 80% complete. If you notice, there are a couple inking errors, but I will fix them with acrylic titanium white paint when I am finished. At this point, everything has been done with a brush, but now I am going to use a Micron Pen to ink her fine hair lines, her eyes, and the fringe on the cloak/serape. I have left these specifically because I will be using a french curve for inking the hair lines, and circle templates for the eyes. I am using a pen for the fringe because they are so small, I don’t trust myself completely yet with a brush to get all that line work done without making a fatal mistake so close to the final product.



STEP FIVE:
Finally done with line art. I scanned it in at 1200dpi as bitmap, which removes any of the non photo blue that can still be seen. From here, I’ll convert it to grayscale, and rescale it to 300 dpi at the correct size it will be printed at. With just some minor cleanup of stray spots of black, the image is now ready to be colored!!



STEP SIX:
At this point, I’m sure everyone has a grasp on the actual digital coloring process in Photoshop.

So, this is my Caperucita Roja (Little Red Riding Hood), which I am planning on making a manga sized comic book. If I can work fast enough, the book should be printed in time for the Spokane Comic Convention, May 30th, 2009.




MY TOOLS:
Okay, here’s a run down of the most basic tools that I use. First off, I have a set of Speedball nibs and nib holders, and I’d use that over the Micron pen that I used for the fine lines before. The ink in the Microns pulled up slightly when I did some erasing, and its just not that strong of a pigment compared to the rest of the inked page. Next, I have a wrist rest for a computer mouse. This elevates my hand when inking, keeping me from dragging my palm into fresh ink. Next to that, I have a Gerber baby food jar. I use that for my water. I am currently using Higgins Black Magic for my ink, it looks very dark when I am done inking. I also use a metal lid from an energy drink can to dispense my ink. I can use the dropper in the Higgins Black Magic, and drop a few drops in the lid, and I can visually see how far I am dipping. If you dip too far with your nib, ink can soak into the wood of the brush and start to ruin it. Secondly, I don’t have more than a few drops out at a time, which is better than an unopened bottle of ink that could cause major damage if spilled. Lastly, I have my brushes and Bristol Board, but I’ve already mentioned the product names.

I hope this tutorial gave you a basic understanding of my process, and maybe you learned something that can help you excel with your art.
-Jesse 1/24/2009

School Daze

First, my daily art:


On break at work I cleaned up the page, spotted some more black onto Robin's coat which I think really helped. Then I did my usual fun coloring out of boredom. Its nice to have colored pages in a sketchbook, its more striking, even if my coloring is pretty flat. It has been a while since I used colored pencils, I need to get into a rhythm before I start getting too creative.

Now a more imperative topic. School started today... Oh the horror. I could not fall asleep for the life of me last night. If something important is happening the next day, I can't sleep. Anyway, I woke up and got online to check out my online courses. Health and Astronomy. My Health class doesn't seem too bad, but my Astronomy seems to be a nightmare. I will have to be extra organized and assertive to accomplish my classes, art, and everything else I want to happen this quarter.
My Astronomy teacher wrote a novella worth of information. The syllabus, an intro letter, discussion questions, a lecture, this week's agenda. It was a lot. I just read through it and my eyes are bugging out. I had to write notes on just what he expects each week from me! Tomorrow I have to get up early to pick up my books, my financial aid check, and a parking pass just in case I need to do something on campus. I'm frightened by the amount of work this teacher is demanding. I am very interested in Astronomy, but I am hokey pokey about my pace. Maybe I need a fire under my ass to jump start my mindset back into a school sort of pace.

In other news, I totally forgot my Spanish Instructor's birthday party. We are good friends, and hang out a bit outside of classes. I have been so bogged down getting over being sick, kind of feeling in a rut, trying to get art ready for a few events, and mentally preparing/fearing school. My mind was elsewhere all weekend, I totally forgot it and I feel horrible. After I am done posting this entry, I will be drawing her a birthday card. It will be personal and it will mean a lot to her. I also packed up my guitar and a folding music stand. For her belated present, I am going to play a couple classical songs. I was also wanting to paint a sign for her class as a surprise. She just got a new office for her school, and needs to decorate. I am going to hand paint her Spanish class sign, I think she will like it. Unfortunately, do to time constraints, it won't be in her hands until probably next week.

Last bit of info. Last night, during my insomnia, I watched the very tail end of a PBS program. There is a black scientist guy I see all the time on tv. I've seen him on Conan O'brien talking about astronomy, he gets so excited about it. I've seen him interviewed on news networks, he's somehow some kind of big science geek. Anyway, he had some show on, and he was talking about the evolution of writing. I would have LOVED to watch the whole program, history is awesome, especially about things I am interested in. Anyway, he started talking about his crow quill pen (basically the same thing I use to ink, but I use steel nibs rather than an actual cut feather tip). He said that if he is going to write something important like an article or a speach, he uses a crow quill pen. Each time he dips for new ink, he gets about six or seven words before redipping. He states that this process gives the piece a cadence feel to his writing, he thinks a lot more, and there is a unique thoughtful flow that is lost in the 'now now now' technology of a keyboard.
I really think he stumbled onto something so true. Even when I use a brush to ink, I am so much more thoughtful with each stroke. It is so different, and has a more organic flow than any pen.

Okay, enough yammering. Time to draw a Birthday Card.

Doodling and La Bamba

I think I mentioned this before, but I bought a new sketchbook. This book is just for me to practice 100% comic stuff. I want to have nice complete work in it, inking, colors, panel layouts, whatever.
So, while watching La Bamba, I drew up this:


All using the pentel brush pen. I haven't erased pencil marks yet because its still too wet to brush an eraser over. Approximately 45 minutes all together. Another thing I am trying to do is loosen up and have fun, when I participate in the 24 hour comic day, I don't want to stall and just stare at a blank page. I did a lot of that last year. I notice if I start doing something, anything, it makes it easier to keep going.

Joker Painting Tutorial Pt 7

Sorry it has been a while since the last update. I never realized how draining it is for me to try to think of painting in steps, it really slows me down and makes me not want to paint! Step by step is hard, because I generally don't work in one fashion. I like to fool around a lot with the paint, sometimes I work on more interesting parts when I get bored with the monotony of some parts of the painting.

Okay, so now I'm going to introduce a new acrylic additive, a retarder:

This stuff is really nice, it thins the paint a bit, and it lets it sit longer before drying. This will be useful for wet on wet blending action.


This is where I left off last. I was fooling around with water and darker greyish blues to make shadows on the bottom of the strait jacket. I didn't like the outcome so much, so I went out and bought the retarder since I knew it would be easier for this effect.




Here's I've mixed my Payne's Grey (the darkest background color) with Azrilian Crimson to make a purple. I mixed about a dime size amount of the color, and added about four drops of the retarder to it and mixed it in. Then I painted the upper portion of the face with it. After that, I used some titanium white and the purple together to make a lavender middle tone:



This is where the excitement begins! I can now use that retarder to make my paint take longer to dry. I can have a wet dark purple, and a lavender, then blend them together on canvas using a swirl motion with the brush. I try to keep a lot of strokes in the look to give a real painterly look. I'm heavily influenced by the old pulp covers and movie posters of the 40s, they really had a cool painted look to them.


After a good transition of purples, I add on top of it a small amount of titanium white and retarder to get some bright white on the forehead, and cheek. This is really my favorite part of painting, its about building volume. I add dark colors, medium colors, then lighter colors, then I can darken it if need be, or brighten it more, until I am satisfied.


Here's the whole thing at the moment. Yes, Joker's face is very purple at the moment, but I'll be lightening it up a bit later on, after I get the face and everything else finished.


That's pretty much it for now. I'll probably be finishing the face, then going back to the strait jacket again. After that, I'll be working on the pants, then I'm going to have the pants fade back into the background by adding some more Payne's Grey and impasto. From there, it will be about tweaking little things and making minor adjustments.

Joker Painting Tutorial Pt 6?

I can't remember what part I am up to now in my painting process of The Joker, but here's another update. Also, a side now, this is my 50th blog post! Yay! Now if somebody actually read all this, it would be worth celebrating :D

I finally picked up a light, but I'm unsure if I like it yet. My lighting is still uneven, but its at least better than before. I'm about to put 5000watt daylight bulbs in the whole basement just to work properly. I'd imagine the police would be stopping by though, expecting a grow house. The den is pretty poor to work in though, its the worst lighting in the house, but its the only room with enough space to work in. Here's my new setup:


You can also see the easel I built.

So now, I've decided to start on his straight jacket. I used some naples yellow, neutral grey, and payne's grey to make a slightly yellowed greyish tone. I'll probably have to play with this color a bit before I'm sure I'll be satisfied with the color. I originally wanted an off-white / cream color for the straight jacket, but it was a little too bright when I tried it.


Oh yeah, I also was playing a bit and colored his mouth for the heck of it. Cadmium Deep Red with a little black for the tongue. The mouth is ivory black with some payne's grey.

So, that's it for today. I'll be working on the rest of his top, adding some highlights and shadows next. Not too much after that, his pants, his face, and a lot of finishing touches to round it all off.

Joker Pt. Part 5

Continuing the Joker's hair! This time I want to add some darker and lighter tones of hair to give a sense of volume.



There is about four different variations of green for his hair, some lighter with olive green, burnt umber, hooker's green, and naples yellow. I just keep adding strands of hair, until its like this:


I may add more hair later on, depending on what I feel about the piece when its closer to completion.

That's about it today, sorry its so short. I need to stop at a store tomorrow to pick up a better lamp for painting. I had some people make several suggestions, I'll see what I can find.

Joker Painting Tutorial part 4

Now its time to start the hair. I'm using a Hooker's Green for the base coat, and I fill the whole block of hair:


Now I'm going to use a smaller brush, like one I might ink with. Whenever my brush strokes have to be smaller and more precise, I make sure my small brush is pretty damp feeling before dipping into the paint. I think it helps the bristles move and flow better when I make my strokes. I'm just starting by adding some locks of hair with a mix of Hooker's Green and Naples Yellow. I like using this in the mix for a lighter green instead of using titanium white because it looks a much more vibrant:


Now that my layer of light hair is done, I'm going to mix less yellow into my hooker green and make slightly different shaded locks. I'll make about three layers eventually with different shades of green to make up The Joker's wild hair:


That's about it for today. Its been pretty difficult for me to paint recently because the sun is setting sooner and I work late in the evening. I have a few lamps at the easel, but its not enough quality for me to work with. Regular bulbs give an ugly tone to most of my colors. I also have a day lamp which is good, but its a reading lamp, so I'm not getting enough light over my whole canvas. I just need to buy a good lamp for painting with, if you have one you use for painting, let me know!

Joker Tutorial part 3

Continuing with my tutorial on painting, I'm going to start talking about dry-brushing. Dry brushing is a technique where you load the brush with just a little amount of paint, and even brush it until its 'dry', meaning there is almost no paint coming off the brush. Once you get the brush ready, you lightly brush your painting, and only the impasto part of the painting that sticks out will get painted on. This will give the piece an even more raised effect.



I mixed my Payne's Gray with just a little zinc white, and prepared my brush for drybrushing. I painted around, and I especially painted around the Joker to give him a sort of haloed glow around him. After I highlighted with the drybrush, I mixed more zinc white to make a whiter light blue, and continued the process. I did this about three times to give a nice gradient of brightness.


This is the first drybrushing layer. You can see that there isn't too much of a difference between the original Payne's gray background and the lighter blue. I want each layer to be a subtle change.


This is about three or four coats of drybrushing , each getting brighter and brighter.



Now that I'm done, I peeled away the frisket of The Joker, leaving his silhouette. See how the frisket protected the Joker illustration below? Actually, if you look closely, you can see I had only one spot of bleeding, and that was a small spot on The Joker's nose, but I can paint over that just fine. Now its time to paint The Joker!

That's it for tonight, I hope someone out there is learning something from this tutorial!

Painting Tutorial Continued

I worked a bit more on my Joker painting and took some more photos. Remember, this is all my rough thoughts, I'll be much more thorough when I actually compile it into a proper tutorial. I believe I'm going to make this into a website and a DeviantArt tutorial.

This segment of the tutorial will be on my impasto technique, its nothing fancy, but good to use. If you look at my Grim painting or my Automaton of Mars painting, you can see the impasto technique being used. I got the idea originally from Brom, no secrets there. My first painting I actually ever completed was Grim, and it is deeply rooted in Brom's work. I think I have separated myself from that quite a bit though. That's what I believe artists do, they see something they like, they imitate it for study, take what they want from it, and build their personal style.


Okay, first up is the Impasto medium. Actually the brand I use is called Molding Paste from Golden's gel mediums. The photo I found here says Light Molding Paste, but I prefer the regular molding paste, its a bit heavier, more sculpting, and feels a bit tougher and longer lasting. I think it takes longer to dry as well, which in my book can be both a plus and minus.



This stuff is kind of like mud. I use a palette knife and just go wild, making marks, slashes, splatters, whatever. I'll impress the knife into a bunch of medium on the canvas then pull up and down a few times to get a real textured look.


I'm applying amounts of the paste all over the areas of the background for this piece. I want the background to look something like a stone wall, lots of texture. Once i get the paste where I want, then I start messing it up.


This is where I press down with the knife and lift repeatedly to make a messy texture.


I'm trying to get it everywhere except on The Joker. I want it to look like a maniacal prison cell in the end.


Okay, I have the paste how I like it for right now. One note, I used to paint flat on a table when I started painting a few years ago, before I built my easel. Yes, I said I built my easel. I like to build whatever I can, so its to my specifications, and generally much cheaper. I also built my light box for transferring sketches onto bristol board. Anyway, when I painted flat on a table, the impasto technique would actually start going slightly flat as it dried due to gravity! Now that my canvas is standing straight up, depending on how thick it is, it has the potential to run down. I'm going to let this dry, its not too thick for me to worry too much. But when its dry, I'll take another photo, and then possibly add some more paste if need be.

That's all I have for now, hopefully tonight I'll get some more work done, which means more photos and blogging. Tonight I am going to see the new Star Wars movie with an old high school buddy whom I haven't seen in almost ten years.


*Update** 9:35pm

Okay, so I'm back from the movie and I worked some more on the painting. BTW, the Star Wars movie was pretty good. I didn't like that the droids were really stupid though.


Okay, one of my tools I use is frisket. Frisket is generally an airbrush artist's tool, that's actually where I learned to use this first. Frisket is like a giant clear sticker than you can put over your painting, then cut out shapes with an exacto blade and paint over it. Once you're done, you can peel it back up and the covered area is protected from your paint job.
I'm going to use the frisket to protect The Joker, while I get wild and paint the background. I want the background to have some gradients and drybrushing effects, so as I wildly paint, The Joker will be safe behind the frisket.



I don't know if you can see it in the photo, but I cut a square piece of frisket around The Joker. Now its time to use the exacto blade to carefully cut the silhouette of The Joker.


Here, I have The Joker cut out, and ready to paint.


I am using Paynes Gray here to start a base coat of the background. I want the background to be a very dark blue with lighter blue highlights. Paynes Gray works well for this because its almost black. One thing I'll have to remember is that when this dries, I'll have to rotate it and be sure to get the bottom of the canvas completely covered with paint as well.
A note about painting over frisket. Always try to paint going away from the frisket, not towards the frisket. If you paint towards the frisket, you potentially can lift up the frisket and accidentally paint into your covered area. If you paint going away from your frisket, you'll keep pressing the edge of the frisket down, ensuring a safe bond to the canvas.

How I paint, the beginning of a tutorial

I think Im going to make a tutorial. I'm taking photos and scans of each step so far with my Joker illustration. I haven't seen too many traditional acrylic painting tutorials here, or anywhere, perhaps it will be useful for someone.

I kind of made a quick rundown so far:


My first sketch of what I wanted Joker to look like


First sketches to figure out the pose. didnt like this, because it was
to directly forward, very boring and undynamic. I drew a little sketch
below to figure it out.


Another idea, this is going into a better direction.


My first sketch.. its okay, but it needs more arch in his back and a
bit more madness.


This is now really getting somewhere. but its drawn in my pocket
sketchbook, and needs to be redrawn much larger to make better
details.


Larger paper, very early stage


Final sketch, ready to project with my opaque projector, onto a canvas.


This is my opaque projector. It takes 4"x4" illustrations, so I scan
my final illustration, and reprint it at a size that will fit. Then I
fit it inside and project it.



This is in the process of the projection. Note, I didn't take a photo
of my Joker painting while I was transferring it with my opaque
projector, so that's why the two other photos don't match. I was going
to do this some time ago with my St Jerome painting, but then set it
aside to work one some more imperative things.



Now that it is aligned to the correct size and focused, I can sketch it over. The reason I do this process, rather than just freehanding onto the canvas is because I get very nervous with a giant blank canvas and lose direction, a sort of artist block. I feel I can be much more creative and loose onto sketchpaper without worrying about screwing up a big canvas.


Now its on the canvas, ready to paint. The canvas I believe is 18"x24"

I'll keep taking photos, and writing. I want it to be pretty thorough so people can maybe learn something, or even teach me a few tricks to my process of painting.

Joker, possibly a painting?

First up, daily sketch. I've actually been drawing and redrawing this. I think I have three tiny sketches of this in my little sketchbook for work, if you look at the previous posts, then you can see an older rough of this:



So what do you think? Is the pose decent? Face decent? different angle? bigger teeth? smaller head? anything? I really want this to look nice, I've never really drawn or painted fanart before, so its important to me to have this look good. Joker has always been laughable to me because I never read how macabre and sadistic he is. To be honest I haven't read much Batman until a month back when I read Gotham by Gaslight and The Killing Joke. The new film really opened my eyes to appreciating Joker so much more. Cesar Romero and Jack Nicholson just don't have the screen presence like Heath Ledger.


So, my brother is better. Thanks all of your for your kind words, they meant a lot to me. I guess his heart naturally went back into normal rhythm, it was the surgery that threw it into a-fib for awhile.
Let's see. I've been thinking about things to write about, and now I'm drawing a blank. Oh yes, I wanted to mention that I noticed a trend in my favorite comics. Some examples off the top of my head that I have been currently reading: New X-men, Young Avengers, Runaways, Blue Beetle, New Avengers, Scott Pilgrim. What's the thread between these? A: Children. I love it when young kids get super powers and have to deal with extreme situations. It was my dream to have a super power a kid, and I suppose I'm living that dream through these comics. B: I love team books. It's more bang for your buck. New Avengers made me want to have an comicgasm because it has Spider-man, Iron Fist, Wolverine, Luke Cage, Dr. Strange, Hawkeye, plus more. Holy shit what a line up, favorite characters all around, in one comic.

So, that's about it for the moment. I've been terribly busy and frustrated, so my daily sketching has minimalized for a little bit, but honestly I am trying to keep a decent update.