24 Hour Comic Day

Today at 10a,m I will be participating in 24hr Comic Day. For those that don't know, its an event held all over the world in different locations (Spokane, Washington location is at Merlyns on W Main). Every artist involved will attempt to draw one 24 page comic in 24 hours. Its pretty daunting considering that most comic pages are drawn in an 8 hour period.
I'm packing up my goods tonight. Not only do I need my art supplies and paper, but also references, mp3 player, movies, and also lots of food. It will be fun.

BTW, random story: I went to the store to buy some Jarritos and some freshly made churros. While driving home, a highschool idiot runs out into the middle of the road and I step on the brakes. Jarritos go flying, shatter, and ruin my churros in the process. Next time I'm just running over the kid, we need less idiots and more churros in this world.

Final Note: 24hr Comic Book Challenge! Asi que ya lo saben, la cita es esta 3 de Octubre a las 10 am y no paramos hasta el 4 de Octubre a las 10 am (Merlyns W 19 Main, Spokane). Estan listos para el reto?

Spokane ComiCon TODAY!!

Everyone needs to head to the Spokane ComiCon at Spokane Falls Community College today and attend. It starts at 10am, and there are prizes for first attendees, costume contests, auctions, all sorts of goodies. I'll be there selling my paintings, comics, sketches, and more.

Come by and say hi!!!

For more info: http://www.spokanecomicon.com/

Spokane ComiCon, Free Comic Day, More Work, Sketchbook!

I'm compiling some entries from my deviantArt page here, so here goes:

Everything is going to plan for the Spokane ComiCon. I have 100 (yes that's right, 100) sketchbooks made up for the event. Here's the cover:




I'm expecting to have a lot of extras, I know I'll be handing them out to friends and family, as well as selling extras here and there. I'll also have Solar Flares 24Hour comic available as well, both in Spanish and English. If anyone wants either book after May 30th, you can email me or post here. I'll let you know the details.

I'm planning on having a couple portfolios of my art on display, some 6"x6" sketches on display to entice people to buy $5.00 small sketches. I'm also thinking of doing a $5.00 deal for a book and a sketch inside the book. I'll also have a mini easel on the table displaying some smaller paintings, and a big easel behind displaying my big pieces. I'll be rotating pieces throughout the day.

I'm also going to sift through my work to see if there are any pages worth making prints of.
I hope to see lots of people, stop by and say hi!


During Free Comic Book Day, our group ran into some issues with references when drawing sketches for the kids. Fortunately we were in a gaming/comic shop, so there were some references to be found. But in light of this, I decided to run out to the store and pic up a 2gb microSD card for my phone. Its soul purpose is to be filled with reference images of super heroes, video game characters, manga, movies, tv, whatever. With this, I can thumb through and have references on demand!

But here's the tricky part, what are some of the most beloved characters that I should put on the card?

If you have the time, give me a top ten of your favorite all time characters. With a decent list, I have a direction for character choices. Thanks!


Lastly, I wanted to share a colored piece I just finished (or think I finished, I'm debating on some minor things):


I'm thinking of maybe turning the mountain lineart into color just to give a depth feeling. I'm also thinking of changing the lineart of the etching on the rock into a darker grey instead of the black lines to make it less prominent. Lastly, thinking of changing some of the detail lineart on the tree into a darker brown for a similar reason as the rock. If you have any opinions, let me know!

Robin Comic Page

Its been a while since I've updated. Last week of school was hectic, work has been keeping me too busy, hanging out with new and old friends, and I've been constantly working on art.

Finally, after a month, I was able to finish this with my friend

He wanted to ink something of mine, so I did a quick mockup page of a Robin story I made up. This is the first collab project I have ever done, it was a lot of fun. It was liberating to give my pencils over to a friend whom I trust. It was also refreshing to see what he did with my pencils!


In other art related news, I'm not sure if I will be able to get my Little Red Riding Hood comic done by the comic convention, but I will definitely have pages to show in my portfolio from it, as well as some pages in my sketchbook that I will be selling. Busy busy busy. I'll probably be working on some paintings very soon. I've been wanting to paint more, but its been a push pull between comics and painting.

Well, I have some more work to get done. If I'm lucky, I'll post within a day, with a page from Little Red Riding Hood.

Evolution of Robin

So over the last few days, I've done a sketch of Robin (actually a couple), then inked it, and today I colored it... Here we go:







Also, a random sketch at work of Robin:


I used the same method of inking that I did for my Caperucita Roja Inking tutorial I did a while back. First I had my sketch in my sketchbook, I scanned it in, changed it to non photo blue, printed it on bristol board, and inked with a brush and Higgins Black Magic ink.
I did the coloring this morning, during my break between classes.

I think its time to draw another Teen Titan, I have tons of Robin illustrations already ;)

Daily Sketch Return?! and Convention News

Life's been very busy. I've been handed three class assignments, two of which I did the work over the weekend. I'll be presenting rough drafts for one today for my film class's storyboard project today. I'll also be doing a presentation in my Sociology class.
Beside the school and work rinse and repeat daily grind, I'm also putting myself to a schedule to get things completed and ready for the upcoming Spokane Comic Convention. I guess they were booking like mad this week, glad I decided to lay down my money for a table finally. But that also means no more lolly gagging...
I'm planning on doing a handful of speed paintings, maybe five, for the convention. I'm planning on doing one a week, spending one of my days off each week working on them. I'm also going to try to return to the (semi, kind of, not really) Daily Sketches. I want to do this, so I have more work to pick and choose from when I put together a small inexpensive sketchbook to peddle at the convention. I will have paintings, Solar Flares 24 Hour comic, a sketchbook, and Little Red Riding Hood comic for sale and ready for the convention.

To kick off the Daily Sketch, I did this last night:


I'm thinking that I will do a portrait of each of the Teen Titans from the tv series for paintings at the convention. I saw a few people dressed as Raven and Robin, so I think there is a decent fan base here.

Daily Sketches - 2/14/09

Wow, I haven't posted any daily sketches in a LONG time... I've been drawing, painting, and doing all sorts of other shenanigans, yet I haven't really had time to share.. so this is a good opportunity to get back to that business again :)

First, a recent acrylic painting:

11" x 14" - Acrylic on Masonite. This was a Valentine's gift for a great friend of mine, I think she loved it, at least I hope so :) Its her favorite character, Harley Quinn, from Batman. This was a lot of fun to do, because I put down the brush and paint for a couple month hiatus because of school and my current work on my Little Red Riding comic. This reinvigorated me to do some painting again, I'm planning on at least some small paintings like this, and maybe a large one or two that will be ready for the Spokane ComiCon on May 30th... BTW, I need to buy a booth for Artist's Alley soon.

The daily sketches from today:

Today at work was slow, real slow... and a real blessing. I spent all my breaks and other free time doodling these. I might do a portrait of Joker similar to the sketch above, as a small 11x14 painting like the Harley one. Also, I want to do a 16x20 painting of Batgirl there. I love the action of her fist fighting, it looks exciting and vivid. I think fans would appreciate them at the con and buy the paintings.

Lastly, I went to a curiosity shop and picked up a bunch of old 50s - 70s comics. They really inspired me for my upcoming Little Red Riding Hood comics and Solar Flares volume 1. The old comics have ridiculously stupid ads inside, and I've decided to mimic them and make my own. Here's one that I put together last night:

It mimics another Growth exercise program that was in the comics, I took a lot of the wording straight from the comic; it was too good to change! Lastly, if you reread it as those "special" enlargement ads we see today, this advertisement is even more hilarious..

So, that's a mighty blog entry, I hope it satisfies my few readers. Its time to get back to drawing.

I LOVE Magnus Robot Fighter

So today I came across an obscure comic while browsing. Its called Magnus Robot Fighter 4000ad, printed by Gold Key Comics. First thing that drew me was the painted covers, very pulp magazine like on the cover. Second, its a Flash Gordon type guy beating up robots! I love it! I have an affinity for '50s era robots too, so this is my thing. Now I have a an urge to find as many of these as possible, Magnus is amazing! I'll definitely be looking out for other issues or collections at comic cons, etc.

If I had the opportunity to get the rights, I so totally would. I just get so giddy with golden age heroes, pulp heroes, and the like. There's a sort of awesome charm to them that is hard to find in today's comics. Is it the art style? The stories? The smell of the old comics? A time I long for yet never experienced? I don't know what draws me to this stuff so much, but it definitely gets me excited to draw something. It also gave me some ideas for a future Solar Flares comic. Perhaps Francisco needs to battle robots at some point!

Basic Inking Process Tutorial

I just posted this tutorial on deviantArt, and now I'm sharing it everywhere else:



STEP ONE:
To start, I draw out small sketches on a page in my sketch book, trying out various ideas. Once I have something I like, I scan it into the computer at a high dpi (600dpi or so), and reprint it at a much larger scale. From there, I can retrace it onto a clean page in my sketchbook and refine the picture, fixing mistakes, and adding details.



STEP TWO:
Now with a better pencil sketch, I scan it into the computer once again, and convert it to a faded cyan (called non-photo blue or non reproductive blue) in Photoshop. To do this, I convert the image mode to Grayscale, then to CMYK. Then I go to Image>Adjust>Channel Mixer. From here, I leave the Cyan Output Channel untouched and move directly to the Magenta Output Channel. I drop the Magenta level from 200% to 0%. Next I move to the Yellow Output Channel, dropping the Yellow level to 0%. Then finally I move to the Black Output Channel, dropping the Black level down to 0%. You should be left with a Cyan image. The next step is to change the layer opacity to 50%, so the Cyan isn’t so intense.From there, I print it onto bristol board. This way, my pencils are left untouched by a possible ink mishap, and my pencil illustration is perfectly replicated onto illustration board without blemishes like heavy erasing or pencil smudges.



STEP THREE:
Here, I begin my inking process. I use Higgins Black Magic Ink, and two Connoisseur brushes http://connoisseurart.com/, one small and one fat. I also use two kinds of Bristol Board. I use Strathmore 300 Series 9”x12” vellum Bristol Board for Illustrations like this, and Canson Fanboy 10”x14.25” Manga Art Boards for manga pages (or Comic Art Boards for comic sized books). I prefer vellum to smooth because it grabs to the pencil pretty well, but its only a personal preference. I also enjoy Canson Fanboy’s Art Boards because they come bluelined with rules for panelling and marking bleed room, safe area, and actual page size.



STEP FOUR:
I decided to scan this at about 80% complete. If you notice, there are a couple inking errors, but I will fix them with acrylic titanium white paint when I am finished. At this point, everything has been done with a brush, but now I am going to use a Micron Pen to ink her fine hair lines, her eyes, and the fringe on the cloak/serape. I have left these specifically because I will be using a french curve for inking the hair lines, and circle templates for the eyes. I am using a pen for the fringe because they are so small, I don’t trust myself completely yet with a brush to get all that line work done without making a fatal mistake so close to the final product.



STEP FIVE:
Finally done with line art. I scanned it in at 1200dpi as bitmap, which removes any of the non photo blue that can still be seen. From here, I’ll convert it to grayscale, and rescale it to 300 dpi at the correct size it will be printed at. With just some minor cleanup of stray spots of black, the image is now ready to be colored!!



STEP SIX:
At this point, I’m sure everyone has a grasp on the actual digital coloring process in Photoshop.

So, this is my Caperucita Roja (Little Red Riding Hood), which I am planning on making a manga sized comic book. If I can work fast enough, the book should be printed in time for the Spokane Comic Convention, May 30th, 2009.




MY TOOLS:
Okay, here’s a run down of the most basic tools that I use. First off, I have a set of Speedball nibs and nib holders, and I’d use that over the Micron pen that I used for the fine lines before. The ink in the Microns pulled up slightly when I did some erasing, and its just not that strong of a pigment compared to the rest of the inked page. Next, I have a wrist rest for a computer mouse. This elevates my hand when inking, keeping me from dragging my palm into fresh ink. Next to that, I have a Gerber baby food jar. I use that for my water. I am currently using Higgins Black Magic for my ink, it looks very dark when I am done inking. I also use a metal lid from an energy drink can to dispense my ink. I can use the dropper in the Higgins Black Magic, and drop a few drops in the lid, and I can visually see how far I am dipping. If you dip too far with your nib, ink can soak into the wood of the brush and start to ruin it. Secondly, I don’t have more than a few drops out at a time, which is better than an unopened bottle of ink that could cause major damage if spilled. Lastly, I have my brushes and Bristol Board, but I’ve already mentioned the product names.

I hope this tutorial gave you a basic understanding of my process, and maybe you learned something that can help you excel with your art.
-Jesse 1/24/2009

More comic work, and more

So I'm still working on this Little Red Riding Hood design. I keep looking at other people's works for ideas for children, but I'm still not hitting it on the head the way I'd like to. I want to make a little 12 page comic with this, once I get the character designs down.

So here's another that I did a few days ago:


I like that its cleaner and much more streamlined, but I don't like the face at all, and the hair isn't what I envisioned at all... It seems the more manga direction I go, the more I lose what I was aiming for.

Now she has become too tall, I wanted her to be very young and short, kind of like Lilo from Lilo and Stitch. I want to give her an ethnic appearance, but with the pigtails, it looked more Native American:



Here's the newest attempt:


I shrunk her head down because it looked too big and manga like the previous time. But now it looks too big and her shoulders too wide. I'm also having such a hard time drawing girl hair. I guess I've just never had to pay much attention to pig tails and bows, and all that frilly stuff.

Besides Little Red, I was sick for a couple days. I had a stomach flu, and couldn't do much but watch tv. There was a House marathon, so I watched that. I really enjoy funny asshole characters like House. I don't generally watch the show, or many shows though, because I don't like to get caught up in it and have to watch it weekly. But since I was sick, I just kicked back. After 20 episodes, I noticed medical shows really bite for tv, and how can anyone watch them for very long? Every episode is the same situation: patient in extreme situation comes in, banters with doctors, doctors have inter-work relationships and fight with themselves, patient almost dies, they misdiagnose (generally Ive noticed on House, they think everyone has MS), then they try a surgery for the patient to almost die again, and then they solve it.

I also watched Magnificent Seven again. I think Magnificent Seven and Seven Samurai are the best movies to look at for dealing with a story with multiple main heroes. That movie is so perfect, you could take it to any setting and retell a great story. You could replace Yule Brynner with Aragorn, Steve McQueen with a fast arrow shooting elf, and other characters with various fantasy characters and it would be a great fantasy movie.

Anyway, its a brand new year which is very exciting. There's a lot of stuff happening this year, so I'm pretty happy for that. School starts on the 5th, so I'm going to have to learn how to balance school in the early morning and working in the afternoon and everything else in the evening. It will be a challenging quarter, but I'm glad to be getting more credits out of the way.. I feel like I'm digging myself out of a ditch, I should be able to go to Eastern by next Fall or Winter if I keep up the pace.

Anyway, everyone have a Happy New Year.

More Caperucitas Rojas

Still working on a look for the little hero:



I'm having trouble with the face and hair... Children are difficult to draw.


*update*
I drew a face, and I like it. But I still don't like the hair quite yet..

Thrifty

A friend at work collects old lunch boxes, everyday he has a different lunch box. The lunch box thing got me thinking, I should buy a couple old lunch boxes and repaint them! So I started the hunt today at the Christian Thrift store by my home. I did not see any lunch boxes unfortunately, but I did find something! Super Mario All Stars for Super Nintendo! The game generally goes for $20.00 on Ebay, and I picked it up for $3.00. I was pretty stoked, this has four Super Mario games on one cartridge.
Looking around the thrift shop made me think about how easily we toss things out, and buy new junk, just to toss that out as well. There were many nice and functional things there. I saw a French Press for $3.00! It looked brand new, and those generally go for $20.00 at Target or other stores. I may go back and pick it up for a friend. They had many bags as well. I'm thinking of going on a trip this summer or spring, I'll definitely be heading to a thrift store for a bag to pack my stuff, why pay $50.00+ for something new in a chain store, when I can spend a quarter of that in a charity based store.

I think a lot about how much I spend, and how in the past I burned through cash on ridiculous things. Nowadays, I buy my books either used, marked down, or with a coupon from Borders. I buy my graphic novels either used from The Comic Shop, or I buy several at a time through instocktrades.com, which has free shipping on $50.00+ purchases, no tax, and generally a markdown of 30%. I rarely eat at fast food these days, preferring to buy from the grocery store and spend a couple extra minutes to prepare something.

I'm sure others are feeling the effects of our current economy, the dollar really doesn't go as far as we'd like these days. I'm not trying to be preachy or anything, I'm just trying to share the ways I am being frugal.

Spreading my comic to friends and strangers alike

So, I've been reading about zines for quite some time, but as far as I can tell, they are near impossible to find around town. The reason I got onto a zine kick was because of last year's 24 Hour Comic Day. I wanted to print my comic, and then I started reading online about mini comics and the zine subculture. I want to get into that, and share my comics on a more peer to peer basis.

I personally believe my printed 24hr comic looks really cool. Yes, some of the art is cheesy, but that's due to time constraints. I'm talking about the overall package. Its manga sized, 5"x7.5", full bleed, and strict black and white. The cover is #90 cardstock, and the inside pages are 24# paper (a little thicker than generic printer paper), double sided, and saddlestitched. I figure if my rush job 24 hour comic looks this nice, imagine actually spending the time to make a nice comic, utilizing screentones and grayscale effects, more time on the layout and design, everything!

This idea is really kickstarting my engines on getting comics out there. It wasn't expensive either. Honestly, if I buy the cardstock and heavier paper and have a print shop print on that, I think I could get even a better deal.

So, getting back to spreading my comics. With my 24hr comic, I have sent it to friends all over the world (seriously), and even to some zine places, and zine fans, in hopes of catching someone's eye. Some strangers out there will be getting a random mini comic in the mail, and I hope they enjoy this random surprise.

I'm thinking if I pursue this, I'd like to offer these comics on my website for sale via paypal. I have tons of ideas, and now I have proof that a nice looking comic can be made from home, so there is nothing stopping me from making my art. NOTHING! :D

I have several one shot stories that I'd like to render into a mini comic, as well as several longer stories. This practice could also help me build a portfolio to attract the eye of a real publisher... Hmm.. This also means that I'll have some comics to hustle at next years Spokane ComiCon.

School Daze

First, my daily art:


On break at work I cleaned up the page, spotted some more black onto Robin's coat which I think really helped. Then I did my usual fun coloring out of boredom. Its nice to have colored pages in a sketchbook, its more striking, even if my coloring is pretty flat. It has been a while since I used colored pencils, I need to get into a rhythm before I start getting too creative.

Now a more imperative topic. School started today... Oh the horror. I could not fall asleep for the life of me last night. If something important is happening the next day, I can't sleep. Anyway, I woke up and got online to check out my online courses. Health and Astronomy. My Health class doesn't seem too bad, but my Astronomy seems to be a nightmare. I will have to be extra organized and assertive to accomplish my classes, art, and everything else I want to happen this quarter.
My Astronomy teacher wrote a novella worth of information. The syllabus, an intro letter, discussion questions, a lecture, this week's agenda. It was a lot. I just read through it and my eyes are bugging out. I had to write notes on just what he expects each week from me! Tomorrow I have to get up early to pick up my books, my financial aid check, and a parking pass just in case I need to do something on campus. I'm frightened by the amount of work this teacher is demanding. I am very interested in Astronomy, but I am hokey pokey about my pace. Maybe I need a fire under my ass to jump start my mindset back into a school sort of pace.

In other news, I totally forgot my Spanish Instructor's birthday party. We are good friends, and hang out a bit outside of classes. I have been so bogged down getting over being sick, kind of feeling in a rut, trying to get art ready for a few events, and mentally preparing/fearing school. My mind was elsewhere all weekend, I totally forgot it and I feel horrible. After I am done posting this entry, I will be drawing her a birthday card. It will be personal and it will mean a lot to her. I also packed up my guitar and a folding music stand. For her belated present, I am going to play a couple classical songs. I was also wanting to paint a sign for her class as a surprise. She just got a new office for her school, and needs to decorate. I am going to hand paint her Spanish class sign, I think she will like it. Unfortunately, do to time constraints, it won't be in her hands until probably next week.

Last bit of info. Last night, during my insomnia, I watched the very tail end of a PBS program. There is a black scientist guy I see all the time on tv. I've seen him on Conan O'brien talking about astronomy, he gets so excited about it. I've seen him interviewed on news networks, he's somehow some kind of big science geek. Anyway, he had some show on, and he was talking about the evolution of writing. I would have LOVED to watch the whole program, history is awesome, especially about things I am interested in. Anyway, he started talking about his crow quill pen (basically the same thing I use to ink, but I use steel nibs rather than an actual cut feather tip). He said that if he is going to write something important like an article or a speach, he uses a crow quill pen. Each time he dips for new ink, he gets about six or seven words before redipping. He states that this process gives the piece a cadence feel to his writing, he thinks a lot more, and there is a unique thoughtful flow that is lost in the 'now now now' technology of a keyboard.
I really think he stumbled onto something so true. Even when I use a brush to ink, I am so much more thoughtful with each stroke. It is so different, and has a more organic flow than any pen.

Okay, enough yammering. Time to draw a Birthday Card.

Doodling and La Bamba

I think I mentioned this before, but I bought a new sketchbook. This book is just for me to practice 100% comic stuff. I want to have nice complete work in it, inking, colors, panel layouts, whatever.
So, while watching La Bamba, I drew up this:


All using the pentel brush pen. I haven't erased pencil marks yet because its still too wet to brush an eraser over. Approximately 45 minutes all together. Another thing I am trying to do is loosen up and have fun, when I participate in the 24 hour comic day, I don't want to stall and just stare at a blank page. I did a lot of that last year. I notice if I start doing something, anything, it makes it easier to keep going.

All Spanish Today

He estado trabajando en varias pinturas en los ultimos meses. Quiero tener otra exhibición de arte pronto. Invitaré a todos mis amigos y familia de nuevo. Se siente bien tener amigos cercanos que vengan a apoyar mis intereses.
Hablé con el dueño de "The Missing Piece Tatto" y le gustaría llevar algunas de mis pinturas. Su taller tiene muchas pinturas, muchas de éstas vendidas. Me gustaría vender algunos de mi trabajos y posiblemente conseguir algún reconocimiento.
Este año venderé libros de dibujos, pinturas y dibujos de comisión en la Segunda Convencion Anual de cómics. Algunas de mis amistades han conseguido beneficiarse de ello y han hecho conecciones. Con mis nuevas pinturas, y un portafolio mas grande, me gustaría ver si puedo encontrar trabajo pintando portadas para compañías de cómics independientes. Oni Press y Blue Water Productions son bastante grandes y no lejos de Spokane.

Just practing my Spanish for a change.

Robin in the style of Damion Scott

Sorry I've been so sluggish with the Joker tutorial. I was sick last week, and this week catching up on bills, just lots of stuff going on so I haven't been able to photograph anything new.

I just realized I have been rusty at drawing since Ive been painting Joker for so long. So, to prepare for the 24 Hour Comic Day I will be participating in again, I am filling a sketch book with tons of fun gestures. I want to really make something cool this time.

I've been liking Damion Scott's art a lot, especially his work in Robin: To Kill A Bird. So to try to learn some techniques from him, I drew the same Robin he did as a cover in the back, but with a bit of my style to it. I like his animated feel to it, he's not worrying about rendering everything to infinity like Jim Lee.

The sketch was probably 15 minutes at the most.

Second Daily Sketch in one day?!

I felt since I skipped a day or two, trying to keep the daily sketch going, I'd double up for today. This took about 45 minutes as well, again, its a friend's character, but my own take on it. My friend, Heather, draws with a heavy manga influence, I thought I might try to introduce that a bit more this time.

Daily Sketch, and some thoughts

So I sat myself down at a local cafe for close to an hour today to draw a friend's character my own way. By actually noting start and end times for the drawing session, I realized I am the sloth of illustration. This is what I came up with:



I think a lot of it has to do with confidence with pencil strokes and the capability to move on.. I spend a lot of time loosely sketching, erasing, redrawing, erasing, redrawing.. I also noticed certain things I hate to draw, namely foreshortened limbs (the hand and arm coming up front), bars of a bird cage (I think in part because I had no reference to a bird cage), and female clothing. I think I grew too comfortable with comic book women who just wear lycra.

How does one speed up their drawing? Is it by just drawing religiously, or forcing to move faster?

My left arm has a "driver's tan"

I started listening to Sidebar Nation, a really great podcast that interviews some great people in the comic world. I love to hear the artists' ups and downs, gems of knowledge, how they broke in, and how they work. Its really inspiring!
For those who know, I'm trying to put together a couple comics, so I'm trying to collect as much information I can. I thought I could draw, but a pinup or portrait is so different than telling a story through sequential art. I'm fighting to find my voice in telling a story, so to practice, I'm going to try to share 90 minute sketches when I have time. One of the artists on Sidebar Nation, Eric Canete, actually is doing this daily, and he feels its a great exercise.
As a second exercise, I bought a sketchbook small enough to fit in my cargo pockets of my scrubs. This way I can sketch on my downtime at work. Usually just on my breaks and lunch since we are so busy, but its added minutes to my drawing.

Anyway, these are just some thoughts after going for a long hot walk with my dog. I'll be hitting the sketchbook momentarily!